The writer Christopher Isherwood put it this way, in his novel “Goodbye to Berlin”: “I am a camera with its shutter open, quite passive, recording, not thinking.” The not-thinking part may not apply,

With the audience haunting a sad family through a spirit's POV, Steven Soderbergh's latest experiment is ultimately about the never-ending appeal of voyeurism.

The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.”