Billie Jean King appears in Give Me the Ball! by Liz Garbus and Elizabeth Wolff, an official selection of the 2026 Sundance Film Festival. Courtesy of Sundance Institute | photo by Thor Thielow. “Give ...
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The lightest EDF jet ever? E-flite Viper 64mm review
Is the E-flite Viper 64mm really the lightest EDF jet, and does it still hold up after 1 year of flying? In this follow-up review, I dive into real-world flight performance, durability over time, and ...
Liz Garbus and Elizabeth Wolff's inspirational documentary captures how the fabled icon of women's tennis was a game-changer in every way. What “Give Me the Ball!” shows you is that Billie Jean King ...
The E-flite Timber 10th Anniversary SE delivers true bush plane perfection short takeoffs, slow-speed control, and confident landings almost anywhere. This video highlights why the Timber platform is ...
ESPN’s ‘30 for 30’ series entry, directed by Liz Garbus and Elizabeth Wolff, is a lovingly made account of the life and career of a galvanizing force in sports, women’s rights and LGBTQ visibility. By ...
“Give Me The Ball!” is a sports documentary befitting the powerhouse multi-hyphenate Billie Jean King. Directors Liz Garbus and Elizabeth Wolff team with ESPN’s 30 for 30 team to spotlight an athlete ...
It happens all the time in golf, particularly on the green. Your ball is in the way of someone else's ball and it's his or her turn to putt. Less frequently, two balls are so close to each other in ...
Mey Rude is a journalist and cultural critic who has been covering queer news for a decade. The transgender, Latina lesbian lives in Los Angeles with her fiancée.
While watching archival footage of a 28-year-old Billie Jean King play her famous Battle of the Sexes tennis match against Bobby Riggs at the Sundance premiere of Liz Garbus and Elizabeth Wolff's new ...
Golf is hard enough that introducing "stingy" flagsticks at a golf course seems just plain cruel. Granted, if you're putting, you should always pull the flagstick out as you gain virtually no ...
In his long-awaited follow-up to “We Are the Ship,” Kadir Nelson paints people, places and endeavors relegated to oblivion’s sidelines back onto the hardwood. By Celia McGee Celia McGee writes ...
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