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The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into a New Jersey home, not realizing that something was already living there. Critic Sean Burns says it's a great gimmick,

“Presence” is a beautifully executed vision of a rather mediocre script. What makes it interesting is the POV “gimmick,” which Soderbergh demonstrates as a legitimate mode of cinematic storytelling. His camera movements take on such a human quality that we become emotionally connected to it as another character in the story.

"I always operate the camera, but this was next level," the director says. "I’m really in there with the actors."

The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.” The filmmaker traps the audience in a beautiful suburban home, letting us drift through rooms with this curious being,